His self-titled debut album, out next week on Thrill Jockey, moves with the slow, majestic pace of glaciers, as massive walls of layered synths are propelled by churning arpeggios. --Spin
Drift conjures a world no one in their right mind would want to live in, but one that proves strangely alluring anyway. --Pitchfork
Stygian Stride is Jimy SeiTang, a New York based musician in the No Neck Blues Band axis who, as a member of Psychic Ills and most currently with Rhyton, was brought up in the midst of the groundswell of avant-garde and improvised psychedlic music in New York City over the past decade. On this, his debut solo release, SeiTang has moved away from rock music completely, instead turning his attention to gauzy electronic music reminiscent of Gas and the classic era of Mille Plateaux and Chain Reaction, with nods to Manuel Göttsching and Tangerine Dream.
What made SeiTang such an integral part of the improv based bands he s worked with, his ability to listen and communicate, reacting in time to his bandmatess aethetic and musical choices, is the same thing that makes Stygian Stride a successful endeavor. When writing and recording the album, he was reacting similarly to the different facets of the machines unique temperaments, learning the particular personalities of each piece of equipment and facilitating the creation of something greater than the sum of its parts.
While melodic and rhythmic repetitiveness are the backbone of Stygian Strides music, each piece subtly evolves at its own pace and in its own way. Hindsight is pushed forward by a steady, muted kick, and washes of synth that coalesce into a ghostly melody. Drift features multi-layered rhythmic textures that shift in and out of phase, anchored by a heavy drone, and Taiga features a similarly phased synthesizer arpeggio. The album is bookended by two beatless tracks. While Celestial Stems opens the album with gentle, hypnotic sequencer patterns, closer Fade Into Bolivian is one long, slow-moving foreboding organ melody over a deep, anxious drone reminiscent of Popul Vuh.
Rather than composing and recording on a laptop, SeiTang sought out and collected vintage, analog equipment and conceived the album without MIDI synching. It was recorded by Jason Meagher at Black Dirt Studios (D. Charles Speer, Jack Rose, Expo 70, Blues Control), and mastered by CGB at Dubplates & Mastering in Berlin. Stygian Stride shows a side of SeiTangs artistry coming to light that has up to this point laid dormant, just under the surface. This album is the beginning of an exploration of the intersection of the mind-expanding and the mechanized.