In Cédric Tiberghien’s first solo recording for Hyperion he embraces the sensual, crepuscular sound-world of
Szymanowski’s piano music. Tiberghien’s expressive, mercurial, quicksilver playing with its extraordinary pianissimos
and kaleidoscopic range of colour makes him an ideal performer of this repertoire.
Szymanowski’s most celebrated works have been recorded here. The early 4 Études include the popular ‘Andante in
modo d’una canzone’, a sorrowful song above slow repeated chords. The rest of the (later) works show the maturing of
Szymanowki’s unique piano style and in particular the salutary influence of Ravel’s and Debussy’s weightless,