沒有建築師的建築: 簡明非正統建築導論
Architecture without Architects: A Short Introduction to Non-pedigreed Architecture
內容簡介
產品目錄
序言
插圖說明
圓形露天劇場
死者的居所
奧德克的大墓地
潘塔里卡的穴居之城
穴居生活
地下住所,地上良田
自然建築師
減法建築
場地的選擇
高處的城堡
義大利山城
塑造山城
多貢的崖居
水上建築
遊牧建築
原始的形式
建築的模擬
城鎮結構
單元式建築
經典的鄉土特色
設防的場所
家族規模的堡壘
構築堡壘的斯萬尼蒂亞村莊
騎樓
廊道
半覆蓋的街道
涼廊
半宗教建築
穀倉
小容量穀倉
儲藏塔樓
儲藏堡壘
積肥倉
沒有工程師的工程
樁上住屋
骨架建築
信德省海德拉巴的空調
天文建築
象徵性的鄉土建築
無裝飾的城堡
茅草結構
鄉土建築中的木料
圍欄
農村建築
編織的宮殿
可移動的建築
植物性房頂
原始的拱屋頂
帆形拱屋頂
泥瓦匠與建築師
鄉土建築的精湛技藝
簡單樸素的與豐富多彩的女像柱
圖片來源
作者介紹
■作者簡介
伯納德.魯道夫斯基
Bernard Rudofsky (April 19 1905 - March 12, 1988)[1] was an Moravian-born American writer, architect, collector, teacher, designer, and social historian.
Rudofsky earned a doctorate in architecture in Austria before working in Germany, Italy, and a dozen other countries. He temporarily settled in Brazil in the 1930s and opened an architectural practice there, building several notable residences in São Paulo. An entry in a 1941 design competition brought an invitation from MOMA to tour the US; in the wake of Pearl Harbor, as an Austrian native, he was given the option of staying in the US. He remained based in New York City until his death, although he continued to travel (sometimes for years at a stretch). Rudofsky variously taught at Yale, MIT, Cooper-Hewitt, Waseda University in Tokyo, and the Royal Academy of Fine Arts in Copenhagen. He was a Ford, Fulbright and Guggenheim Fellow.
Rudofsky was most influential for organizing a series of controversial MOMA exhibits in the 1940s, 1950s and 1960s. He is best remembered today for a number of urbane books that still provide relevant design insight that is concealed in entertaining, subversive sarcasm. His interests ranged from vernacular architecture to Japanese toilets and sandal design. Taken together, his written work constitutes a sustained argument for humane and sensible design.
For instance, Now I Lay Me Down to Eat is an entertaining tour of historical and cultural alternatives to the design problems of everyday life—dining, sleeping, sitting, cleansing, and bathing—and was ""neither meant to spread dangerous heresies nor to undermine our birthright to make the worst of possible choices. Rather, it demonstrates by means of random examples that life can be less dull than we make it."" By contrasting current western design solutions with earlier practices, he makes our current ""solutions"" look open to improvement, if not outright ridiculous and arbitrary. For instance, he asks why the standard American-style toilet is effectively a septic humidifier, and why American-style bathtubs are impossible for adults to lie down in and are as a matter of routine permanently fixed two or three feet away from a septic humidifier.
In 1944 Rudofsky and his wife Berta were invited to Black Mountain College for two weeks. Bernard gave two lectures on the sad state of clothing design, calling contemporary dress ""anachronistic, irrational, impractical and harmful"" and literally unsuitable. One of his lectures was called ""How Can People Expect to Have Good Architecture When They Wear Such Clothes?"". Berta was convinced to organize an impromptu course on sandalmaking. Berta was invited back the following year, and their successful venture Bernardo Sandals was organized in 1947 and still thrives.
From Wikipedia, the free encyclopedia
http://en.wikipedia.org/wiki/Bernard_Rudofsky
高軍
Bernard Rudofsky
規格
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