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內容簡介

內容簡介 重新審視形在生活世界運轉的意義，特別是設計創作的角色，透過灌注方式檢視形態生成的過程與特徵，並結合模型的思考技術，將其嵌入生活世界的方法論。輔以人文歷史的聯繫，將形式操作超越過去形而下的成見，再次定位形式的意義，並且延續人文歷史的發展。

作者介紹

作者介紹 ■作者簡介陸希傑CJ STUDIO主持人。畢業於東海大學建築系、英國AA建築聯盟，從事建築及室內設計、家具設計、產品設計等相關研究開發。曾任教於交大建研所，東海、實踐、銘傳等大學建築系。著有《鍛造視差》2003、《空間設計─要思考的是：》2015。其作品包括：竇騰璜及張李玉菁台中Tiger City概念店(2005日本JCD設計大賞)、Aesop微風店(2006日本JCD設計大賞及國際室內設計聯盟IFI 2007設計金獎)。2008第十一屆威尼斯建築雙年展之台灣館參展及台北當代藝術館第六屆行動藝術節展出黑暗城市+城市之眼展覽。2011獲得TID Award 2007-2010十大室內設計師獎項。2011臺北世界設計大展─台灣當代設計師聯展與國際室內設計展。入選為美國室內設計雜誌INTERIOR DESIGN七十五週年特集五位潛力設計師之一。Shi-Chieh LuThe Director of CJ STUDIO. Graduating from Architecture Department of Tung-Hai University and Architectural Association in London. Engaged in the research and development of architectural and interior design, furniture design as well as product design. Used to teach in the Graduate Institute of Architecture, NCTU, architecture departments of Tung-Hai, Shih-Chien and Ming-Chuan Universities. Writings including Forging Parallax, 2003, Space Design Thinking, 2015. Projects including concept store of DOUCHANGLEE in Tiger City, Taichung (JCD Design Award 2005), Aesop in Breeze Center (JCD Design Award 2006, IFI 2007 Gold Award). Exhibitions including Taiwan Pavilion in the 11th Venice Biennial, Dark City + Eye of the City in the 6th City on the Move Art Festival. Awarded TID Award 2007-2010 as one of the top 10 interior designer in 2011. Selected as five of talented and reported on “Interior Design” (USA) 75-years special issue, 2011.何炯德建築創作家。畢業於東海大學建築系、英國AA建築聯盟，研究建築設計方法論與從事設計創作，涵括仿生理論、數位技術與建築理論等之跨域整合。曾任教交大建研所、淡江、中原、銘傳等各建築系，現任職陸希傑設計事業，並於東海建築系與元智藝設系教授設計課程。著作包括《仿生微生系》2013、《新仿生建築》2009、《活潑建築》2007以及編譯《後設空間》2004。建築設計獎項包括FEIDAD 2006&2007、Self-Sufficient Housing 2005、e-competition: possible future 2005、921集集地震紀念館2004、New York FHL 2003等，作品收錄於各式專書。Jeong-Der HoArchitecture creator. Graduating from department of architecture in Tung-Hai University & Architectural Association in London. Engaged in the study and application of architectural design methodology and specialized in the cross-disciplinary integration including the biomimetic theory, digital technique and architectural theory etc. Used to teach in the Graduate Institute of Architecture, NCTU, architecture departments of Tamkang, Chung-Yuan and Ming-Chuan Universities. Now employed in CJ STUDIO as well as teaching in architecture department of Tung-Hai University and Art and Design department of Yuan-Ze University. Writings including Biomimetic Microecosystem 2013, New Biomimetic Architecture 2009, Volatile Architecture 2007 as well as the editing and translating of Metaspaces 2004. Architectural awards including FEIDAD 2006&2007, Self-Sufficient Housing 2005, e-competition: possible future 2005, 921 Chi-Chi Earthquake Memorial 2004, New York FHL 2003 etc. and collected in various books.

產品目錄

產品目錄 序Preface建築的路徑與歸宿 阮慶岳The Path and Destination of Architecture Ching-Yueh Roan極致的詩性 龔書章The Ultimate Poetry Shu-Chuang Kung形的自畫像 王俊雄Self-portrait of Form Chun-Hsiung Wang直觀想像的堅實修補 陸希傑A Solidified Mend with the Intuitive Imagination Shi-Chieh Lu技術革新下的歷史中斷 何炯德The Historical Disjunction under the Technological Revolution Jeong-Der Ho1.0 形Form1.1 分形Form Taxonomy1.2 樣貌Appearance1.2.1 幾何Geometry1.2.2 拓樸Topology1.3 感官Sensation1.4 時間開展Time Unfolding1.4.1 形變Morphology1.4.2 輪廓Contour1.4.3 基因Genes1.4.4 觀變eye2.0 模型Model2.1 理型Form2.2 主題Subject2.3 後設模型Metamodel2.3.1 動態模型Dynamic Model2.3.2 文脈Context2.3.3 轉化Transformation2.3.4 尺度Scale2.3.5 局部Parts2.3.6 界面Interface2.4 模型開展Model Unfolding2.4.1 擷取Capturing2.4.2 微世界Micro-world2.4.3 指涉reference2.4.4 想像Imagination3.0 灌注Casting3.1 模與形 Mould and Form3.1.1 以模塑形Casting Form with Mould3.1.2 日常生活物件Everyday Objects3.1.3 介入Interfering3.1.4 雕刻刀An Engraving Knife3.1.5 不可預測The Unpredictable3.2 思考模型The Thinking Model3.2.1 載具A Carrier3.2.2 語法The Syntax3.2.3 假設The Hypothesis3.3 時間Time3.3.1 等待Waiting3.3.2 延遲To Defer3.4 成形Formation3.4.1 成形機制Formation Mechanism3.4.2 指認Indentifying3.5 變因Variable3.5.1 校準Calibrating3.5.2 分叉Bifurcating3.5.3 推測Speculating4.0 成形Formation4.1 空Void4.1.1 流動 Flowing4.1.2 交纏Entangled4.1.3 遭遇Encountering4.1.4 塌縮Collapsing4.2 放大 縮小Scale4.2.1 觀念Notion4.2.2 操作Operation4.3 模仿Imitation4.3.1 像Similarity4.3.2不像Dissimilarity4.3.3 誤差Inaccurate Error4.4 切Cutting4.4.1 同胚Homeomorphism4.4.2 傷口A Wound4.4.3 實體連結An Entitative Connection4.4.4 依靠Leaning Against Each Other4.5 歷史結構Historical Structure4.5.1 速差Speed Difference4.5.2 疊合Layering5.0 形錄Registration Form5.1 模體系The System of Models5.1.1 模意旨The Signified of Model5.1.2 模自身Model-in-itself5.1.3 模目錄The directory of Model5.2 型修補Bricolage of Category5.2.1 註型Category Annotation5.2.2 造型Category Fabrication5.2.3 遞型地景Landscape of Transmitted Category5.3 形登錄Form Registration5.3.1 怪獸Monster5.3.2 登陸Landing5.3.3 形路Form's Paths後記Epilogue灌注模型的立足點 陸希傑The Casting Model as an Anchor Point Shi-Chieh Lu

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