防詐3要訣：不聽信、不操作、掛斷電話 
Taiwan Literature English Translation Series (No.49): Special Issue on New Generation Women's Fiction from Taiwan
台灣文學英譯叢刊 (No.49): 台灣新時代女性小說專輯
出版社：
出版日期：
2022/07/12
9
450405
查詢門市庫存
《台灣新世代女性小説》這一專輯，我們特地請台灣清華大學台灣文學研究所李癸雲教授擔任客座編輯，負責選稿。因受篇幅的限制，只選11位女性小説家的短篇小説12篇，作者都是1970年以後出生、其作品發表於2000年以後，反映出二十一世紀台灣社會的變動現象和新世代的精神樣貌。
內容簡介
For this special issue on “New Generation Women's Fiction from Taiwan,” we have specially invited Professor Lee Kuei Yun of the Graduate Institute of Taiwan Literature at Taiwan's Tsing Hua University to be guest editor and take responsibility for the selections. Because of space limitations it has been possible only to select twelve short stories by eleven woman writers. These writers were all born in the 1970s or later and their works were published in the year 2000 or later. Thus, they represent a period of social change in twenty-first century Taiwan and the spirit of the new generation. The introduction that we asked Professor Lee to provide is entitled “Trauma, esire, Contemporary Women's Voices.” Aside from giving a brief account of the eleven writers and their works, Professor Lee sketches “a number of writerly qualities that become perceptible… [that] represent the internal trauma, female consciousness, physical lust, cat-uman metaphors, and everyday life, etc.” In her introduction, what she particularly stresses is that the sexual desire depicted in these works exposes the internal wounds derived from private individual experience hidden away in the deepest levels of the female consciousness that are exposed for direct observation, and “… [from this] we can tease out a clear semblance of a feminine texture that reverberates with the unique sound of contemporary women's voices.” This then is one of the most important qualities of the new generation of aiwanese women's fiction. In the final analysis, trauma and writing about desire are two major themes of Taiwanese women's literature.
《台灣新世代女性小説》這一專輯，我們特地請台灣清華大學台灣文學研究所李癸雲教授擔任客座編輯，負責選稿。因受篇幅的限制，只選11位女性小説家的短篇小説12篇，作者都是1970年以後出生、其作品發表於2000年以後，反映出二十一世紀台灣社會的變動現象和新世代的精神樣貌。同時我們請李教授撰寫一篇導輪，題爲〈創傷．情慾．時代女聲〉，除了簡述11位作家及其作品之外，還勾勒出其中「隱隱浮現某些書寫特徵，關於內在創傷、女性意識、身體情慾、人與貓的互喻、日常生活等」。本輯導論〈創傷．情慾．時代女聲〉中所特別强調的是，這些作品所書寫的情慾、流露出女性意識底層所隱含的個人私密經驗的内在創傷，而正視創傷，「藉此梳理出形貌清晰的女性肌理，迴盪出『時代女聲』的特殊音色」，成爲新世代台灣女性小説的一大特徵。
《台灣新世代女性小説》這一專輯，我們特地請台灣清華大學台灣文學研究所李癸雲教授擔任客座編輯，負責選稿。因受篇幅的限制，只選11位女性小説家的短篇小説12篇，作者都是1970年以後出生、其作品發表於2000年以後，反映出二十一世紀台灣社會的變動現象和新世代的精神樣貌。同時我們請李教授撰寫一篇導輪，題爲〈創傷．情慾．時代女聲〉，除了簡述11位作家及其作品之外，還勾勒出其中「隱隱浮現某些書寫特徵，關於內在創傷、女性意識、身體情慾、人與貓的互喻、日常生活等」。本輯導論〈創傷．情慾．時代女聲〉中所特別强調的是，這些作品所書寫的情慾、流露出女性意識底層所隱含的個人私密經驗的内在創傷，而正視創傷，「藉此梳理出形貌清晰的女性肌理，迴盪出『時代女聲』的特殊音色」，成爲新世代台灣女性小説的一大特徵。
產品目錄
Foreword to the Special Issue on New Generation Women's Fiction from Taiwan ／Kuo-ch'ing Tu
「台灣新時代女性小說專輯」卷頭語／杜國清
Trauma, Desire, Contemporary Women's Voices: Introduction to the Special Issue on New Generation Women's Fiction from Taiwan／Lee Kuei Yun
創傷．情慾．時代女聲：「台灣新時代女性小說專輯」導論／李癸雲
Short Stories
Dear Child親愛的小孩／Marula Liu
A Libertine is Not Made in a Day淫婦不是一天造成的／Yi-hsuan Chang
Weiwei's Hair薇薇的頭髮／Chen Xue
The Death of Mountain Hawthorne Flowers山楂花之死／Chia-yi Yeh
Amusement Park遊樂園／Lee Chiaying
Blossom Season花開時節／Yang Shuang-tzu
Cat Sickness貓病／Huang Li-chun
A Cat Floating in Blood浮血貓／Shu-wen Hu
Dividing Line界線／Shu-wen Hu
Cross-boundary Communication跨界通訊／Chen Yu-chin
Wife's Cat妻子的貓／Yan Shuxia
Voiceover配音／Lin Wen-shuang
About the Translators
About the Editors
About Subscription
「台灣新時代女性小說專輯」卷頭語／杜國清
Trauma, Desire, Contemporary Women's Voices: Introduction to the Special Issue on New Generation Women's Fiction from Taiwan／Lee Kuei Yun
創傷．情慾．時代女聲：「台灣新時代女性小說專輯」導論／李癸雲
Short Stories
Dear Child親愛的小孩／Marula Liu
A Libertine is Not Made in a Day淫婦不是一天造成的／Yi-hsuan Chang
Weiwei's Hair薇薇的頭髮／Chen Xue
The Death of Mountain Hawthorne Flowers山楂花之死／Chia-yi Yeh
Amusement Park遊樂園／Lee Chiaying
Blossom Season花開時節／Yang Shuang-tzu
Cat Sickness貓病／Huang Li-chun
A Cat Floating in Blood浮血貓／Shu-wen Hu
Dividing Line界線／Shu-wen Hu
Cross-boundary Communication跨界通訊／Chen Yu-chin
Wife's Cat妻子的貓／Yan Shuxia
Voiceover配音／Lin Wen-shuang
About the Translators
About the Editors
About Subscription
作者介紹
Kuo-ch'ing Tu(杜國清)、Terence Russell(羅德仁) 編
【About the Editors】
Kuo-ch'ing Tu, born in Taichung, Taiwan. His research interests include Chinese literature, Chinese poetics and literary theories, comparative literature East and West, and world literatures of Chinese (Shi-Hua wenxue). He is the author of numerous books of poetry in Chinese, as well as translator of English, Japanese, and French works into Chinese.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan's Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
Lee Kuei Yun is currently a professor in the Institute of Taiwan Literature at National Tsing Hua University and the vice-chairman of the Taiwan Literature Society. She is the author of academic treatises such as Poetry and Its Symbols, Between Structure and Symbols, Misty: Qingming and Flow, and Dialogue with Poetry, as well as a collection of poems called Woman’s Flow. She has won the Taipei Literature Award New Poetry Jury Award, Taichung County Literature Award New Poetry Award, Nanying Literature Award “Nanying New Talent Award,” Taiwan Literature Award Prose Award, and the Tsinghua University Outstanding Teaching Award, etc.
【About the Translators】
John Balcom is Professor Emeritus at the Middlebury Institute of International Studies. His most recent translation is The All-Seeing Eye: Collected Poems by Shang Qin, published by Cambria Press.
Yingtsih Hwang is a poetry blogger and independent translatorbased in Monterey, California.
Karmia Chan Olutade is a Chinese Canadian literary translator and creative and localization specialist in the education-technology industry. She graduated with a BA in English Literature and Creative Writing from Stanford University, where she studied under poets Eavan Boland and Nobel laureate Louise Gluck. Olutade served as a managing editor of Pathlight Magazine (People’s Literature Publishing), and has published multiple volumes of original and poetry in translation through Foreign Language Press, Guomai, Shanghai Literature, among others. She resides with her family in Southern California.
Aoife Cantrill is a third year PhD student at the University of Oxford. Her doctoral thesis explores the role of translators in shaping narratives of Japanese colonial rule in Taiwan through the translation of women’s fiction and literary essays. Outside her doctoral work, she has recently published on the role of paratext in Yan Lianke’s fiction.
Erin Y. Huang is an assistant professor of East Asian Studies and Comparative Literature at Princeton University. She is an interdisciplinary scholar and comparatist specializing in critical theory, Marxist geography, postcolonial studies, feminist theory, cinema and media studies, and Sinophone Asia. She is the author of Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Duke University Press, 2020). Her second book project, Islands of Capital: The Aesthetic Life of Zones in Sino-Capitalism, introduces an archipelagic and oceanic approach to continental China that considers the technologies of the ocean, zoning and artificial islanding, and infrastructural expansion from the twentieth century to the present.
Billy Beswick is a doctoral student in Chinese culture studies at the University of Oxford. In his research, he uses analyses of film,art, and literature to think about the way national-boundaries are drawn through figurations of “internal” ethnic difference in Taiwan and main
【About the Editors】
Kuo-ch'ing Tu, born in Taichung, Taiwan. His research interests include Chinese literature, Chinese poetics and literary theories, comparative literature East and West, and world literatures of Chinese (Shi-Hua wenxue). He is the author of numerous books of poetry in Chinese, as well as translator of English, Japanese, and French works into Chinese.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan's Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
Lee Kuei Yun is currently a professor in the Institute of Taiwan Literature at National Tsing Hua University and the vice-chairman of the Taiwan Literature Society. She is the author of academic treatises such as Poetry and Its Symbols, Between Structure and Symbols, Misty: Qingming and Flow, and Dialogue with Poetry, as well as a collection of poems called Woman’s Flow. She has won the Taipei Literature Award New Poetry Jury Award, Taichung County Literature Award New Poetry Award, Nanying Literature Award “Nanying New Talent Award,” Taiwan Literature Award Prose Award, and the Tsinghua University Outstanding Teaching Award, etc.
【About the Translators】
John Balcom is Professor Emeritus at the Middlebury Institute of International Studies. His most recent translation is The All-Seeing Eye: Collected Poems by Shang Qin, published by Cambria Press.
Yingtsih Hwang is a poetry blogger and independent translatorbased in Monterey, California.
Karmia Chan Olutade is a Chinese Canadian literary translator and creative and localization specialist in the education-technology industry. She graduated with a BA in English Literature and Creative Writing from Stanford University, where she studied under poets Eavan Boland and Nobel laureate Louise Gluck. Olutade served as a managing editor of Pathlight Magazine (People’s Literature Publishing), and has published multiple volumes of original and poetry in translation through Foreign Language Press, Guomai, Shanghai Literature, among others. She resides with her family in Southern California.
Aoife Cantrill is a third year PhD student at the University of Oxford. Her doctoral thesis explores the role of translators in shaping narratives of Japanese colonial rule in Taiwan through the translation of women’s fiction and literary essays. Outside her doctoral work, she has recently published on the role of paratext in Yan Lianke’s fiction.
Erin Y. Huang is an assistant professor of East Asian Studies and Comparative Literature at Princeton University. She is an interdisciplinary scholar and comparatist specializing in critical theory, Marxist geography, postcolonial studies, feminist theory, cinema and media studies, and Sinophone Asia. She is the author of Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Duke University Press, 2020). Her second book project, Islands of Capital: The Aesthetic Life of Zones in Sino-Capitalism, introduces an archipelagic and oceanic approach to continental China that considers the technologies of the ocean, zoning and artificial islanding, and infrastructural expansion from the twentieth century to the present.
Billy Beswick is a doctoral student in Chinese culture studies at the University of Oxford. In his research, he uses analyses of film,art, and literature to think about the way national-boundaries are drawn through figurations of “internal” ethnic difference in Taiwan and main
規格
誠品貨碼 / 2682208146001
ISBN13 / 9789863506089
ISBN10 / 9863506087
EAN貨碼 / 9789863506089
頁數 / 254
裝訂 / P:平裝
語言 / 3:英文
尺寸 / 14X21X1.4CM
級別 / N:無
退貨說明
退貨須知：
- 依照消費者保護法的規定，您享有商品貨到次日起七天猶豫期(含例假日)的權益(請注意！猶豫期非試用期)，辦理退貨之商品必須是全新狀態(不得有刮傷、破損、受潮)且需完整(包含全部商品、配件、原廠內外包裝、贈品及所有附隨文件或資料的完整性等)。
- 請您以送貨廠商使用之包裝紙箱將退貨商品包裝妥當，若原紙箱已遺失，請另使用其他紙箱包覆於商品原廠包裝之外，切勿直接於原廠包裝上黏貼紙張或書寫文字。若原廠包裝損毀將可能被認定為已逾越檢查商品之必要程度，本公司得依毀損程度扣除回復原狀必要費用(整新費)後退費；請您先確認商品正確、外觀可接受，再行拆封，以免影響您的權利；若為產品瑕疵，本公司接受退貨。
依「通訊交易解除權合理例外情事適用準則」，下列商品不適用七日猶豫期，除產品本身有瑕疵外，不接受退貨：
- 易於腐敗、保存期限較短或解約時即將逾期。(如:生鮮蔬果、乳製品、冷凍冷藏食材、蛋糕)
- 依消費者要求所為之客製化給付。(如:客製印章、鋼筆刻字)
- 報紙、期刊或雜誌。
- 經消費者拆封之影音商品或電腦軟體。
- 非以有形媒介提供之數位內容或一經提供即為完成之線上服務，經消費者事先同意始提供。(如:電子書)
- 已拆封之個人衛生用品。(如:內衣褲、襪類、褲襪、刮鬍刀、除毛刀等貼身用品)
- 國際航空客運服務。
若您退貨時有下列情形，可能被認定已逾越檢查商品之必要程度而須負擔為回復原狀必要費用(整新費)，或影響您的退貨權利，請您在拆封前決定是否要退貨：
- 以數位或電磁紀錄形式儲存或著作權相關之商品(包含但不限於CD、VCD、DVD、電腦軟體等) 包裝已拆封者(除運送用之包裝以外)。
- 耗材(包含但不限於墨水匣、碳粉匣、紙張、筆類墨水、清潔劑補充包等)之商品包裝已拆封者(除運送用之包裝以外)。
- 衣飾鞋類/寢具/織品(包含但不限於衣褲、鞋子、襪子、泳裝、床單、被套、填充玩具)或之商品缺件(含購買商品、附件、內外包裝、贈品等)或經剪標或下水或商品有不可回復之髒污或磨損痕跡。
- 食品、美容/保養用品、內衣褲等消耗性或個人衛生用品、商品銷售頁面上特別載明之商品已拆封者(除運送用之包裝外一切包裝、包括但不限於瓶蓋、封口、封膜等接觸商品內容之包裝部分)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 家電、3C、畫作、電子閱讀器等商品，除商品本身有瑕疵外，退回之商品已拆封(除運送用之包裝外一切包裝、包括但不限於封膜等接觸商品內容之包裝部分、移除封條、拆除吊牌、拆除貼膠或標籤等情形)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 退貨程序請參閱【客服專區→常見問題→誠品線上退貨退款】之說明。
付款/配送
