Impressionism: Origins, Practice, Reception | 誠品線上

Impressionism: Origins, Practice, Reception

內容簡介

內容簡介 A new edition of Belinda Thomson's highly accessible survey, which brings together the latest research on this perennially popular art movement.The enduring popularity of Impressionism belies what the group of painters dubbed the Impressionists stood for. In the 1870s and 1880s, French artists, including Pissarro, Monet, Degas, Morisot and Renoir, adopted a revolutionary style of technique and subject matter that defied the traditions of the French Academy and the Salons. Rooted in anarchism, political radicalism, and a belief in science and individualism, their paintings captured modern life in ways never seen before.Belinda Thomson’s insightful study sheds light on the personal lives and creative thinking of the Impressionists, exploring the factors that shaped their masterpieces. From family backgrounds to the importance of the art market and the critical reception that challenged yet ultimately defined their work, this introduction offers a nuanced exploration of one of the most transformative movements in art history.

作者介紹

作者介紹 Belinda ThomsonBelinda Thomson is an independent art historian specializing in 19th and early 20th-century French art. She has published widely on Impressionist and Post-Impressionist topics. She was awarded an honorary professorship in history of art at the University of Edinburgh in 2011 and made Chevalier dans l’Ordre des arts et des lettres by the French Ministry of Culture in 2013.

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最佳賣點

最佳賣點 : 印象派在1870至1880年代顛覆法國學院傳統，莫內、畢沙羅、竇加、莫里索、雷諾瓦等人以嶄新技法與題材描繪當時的現代生活，創作根植於政治激進思想、科學精神與個人主義。作者深入藝術家的生活與思維，從家庭背景、藝術市場到評論回響，細膩解析這場改變藝術史的關鍵運動。