The Housekeeper and the Professor
博士の愛した数式
「極富原創性,無比迷人,感人至深。」——保羅·奧斯特(Paul Auster)
內容簡介
Yoko Ogawa’s The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.
He is a brilliant math professor with a peculiar problem―ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory.
She is an astute young housekeeper, with a ten-year-old son, who is hired to care for him.
And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor’s mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities―like the Housekeeper’s shoe size―and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.
作者介紹
Yoko Ogawa is the author of The Diving Pool, The Housekeeper and the Professor, and Hotel Iris. Her fiction has appeared in The New Yorker, A Public Space, and Zoetrope. Since 1988 she has published more than twenty works of fiction and nonfiction, and has won every major Japanese literary award. Her novel The Housekeeper and the Professor has been adapted into a film, The Professor’s Beloved Equation. She lives in Ashiya, Japan, with her husband and son.
Stephen Snyder
Stephen Snyder teaches Japanese literature at Middlebury College. His translations include works by Kenzaburō Ōe, Ryu Murakami, Natsuo Kirino, and Miri Yu.
各界推薦
“Gorgeous, cinematic . . . The Housekeeper and the Professor is a perfectly sustained novel . . . like a note prolonged, a fermata, a pause enabling us to peer intently into the lives of its characters. . . . This novel has all the charm and restraint of any by Ishiguro or Kenzaburo Oe and the whimsy of Murakami. The three lives connect like the vertices of a triangle.” ―Susan Salter Reynolds, Los Angeles Times
“Deceptively elegant . . . This is one of those books written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water. But even in the clearest waters can lurk currents you don't see until you are in them. Dive into Yoko Ogawa's world . . . and you find yourself tugged by forces more felt than seen.” ―Dennis Overbye, The New York Times Book Review
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