防詐3要訣：不聽信、不操作、掛斷電話 
Louise Bourgeois
Has the Day Invaded the Night or Has the Night Invaded the Day?
內容簡介
蜘蛛系列雕塑家
路易絲·布爾喬亞
白日與黑夜、愛與恨、平靜與混亂、意識與潛意識——
在這本引人注目的全新專書中，探索路易絲．布爾喬亞（Louise Bourgeois）那充滿張力與極端對立的藝術世界。
作為過去一百年來最具影響力的藝術家之一，布爾喬亞（法國／美國，1911–2010）以其無畏探索人類關係的藝術實踐聞名，其創作橫跨七十載，始終充滿創新與力量。
本書收錄超過200幅布爾喬亞的作品圖像，精選她的文字與夢境筆記，並納入電影導演珍．康萍（Jane Campion）與作家克莉絲．克勞斯（Chris Kraus）對她作品的新穎觀點，揭示布爾喬亞藝術所蘊含的深邃情感與廣闊觸角。
從1940年代令人難忘的「人物雕塑（Personage）」系列，到1990與2000年代標誌性的蜘蛛與剛柔並濟的織品創作，《Louise Bourgeois：是白日侵襲黑夜，還是黑夜滲透白日？》(暫譯)是理解這位獨特藝術家的關鍵之作，同時也是對其藝術核心對立張力的深度探問。
本書為配合澳洲雪梨新南威爾斯美術館舉辦的布爾喬亞大型回顧展而出版，並完整紀錄該展於極具戲劇張力的後工業空間「地窖（The Tank）」中的展出現場。此外，書中還收錄策展人賈斯汀．派頓（Justin Paton）、布爾喬亞研究專家菲利普．拉拉特-史密斯（Philip Larratt-Smith）及精神分析學者傑米森．韋伯斯特（Jamieson Webster）的專文，並附有詳盡的藝術家生平年表與大量圖像，是認識布爾喬亞藝術生命的必備指南。
Day and night, love and hate, calm and chaos, conscious and unconscious. Explore Louise Bourgeois's world of tensions and extremes in this striking new book dedicated to one of the most influential artists of the past century.
Bourgeois (France/USA 1911-2010) is renowned for her fearless exploration of human relationships across a relentlessly inventive seven-decade career. Featuring more than 200 images of Bourgeois's work, a selection of her writings and dream recordings, and new perspectives on her work by filmmaker Jane Campion and writer Chris Kraus, this book reveals the extraordinary reach and intensity of her art.
From her haunting Personage sculptures of the 1940s to her iconic spiders and tough yet tender textile works of the 1990s and 2000s, Louise Bourgeois: Has the day invaded the night or has the night invaded the day? is an essential guide to this singular artist and an exploration of the polarities at the heart of her art.
This publication accompanies a major exhibition of Bourgeois's art presented at the Art Gallery of New South Wales in Sydney, Australia, and documents its dramatic presentation in the renowned post-industrial gallery called the Tank. It features further texts by exhibition curator Justin Paton, Bourgeois expert Philip Larratt Smith and psychoanalyst Jamieson Webster, and a richly illustrated chronology of the artist's life.
作者介紹
Justin Paton [content editor and author] is head curator of international art at the Art Gallery of New South Wales. His recent projects for the Art Gallery include Francis Upritchard: Here Comes Everybody and (with co-curator Lisa Catt) Dreamhome: Stories of Art and Shelter and the inaugural Tank project Adrian Villar Rojas: The End of Imagination. Paton's books include How to look at a painting (Awa Press, Wellington, 2005), McGahan country (Auckland Art Gallery Toi O Tamaki & Penguin Random House New Zealand, Auckland, 2019) and, most recently, the book of the Dreamhome exhibition (Art Gallery of New South Wales, 2023).
Jamieson Webster
Jamieson Webster is a psychoanalyst in New York City and teaches at The New School for Social Research. Webster is the author of Conversion disorder (Columbia University Press, New York, 2018) and The life and death of psychoanalysis (Karnac, London, 2011), and the co author of Stay, illusion! the Hamlet doctrine (Pantheon and Vintage, New York, 2013). A collection of her writings, Disorganisation and sex, was published in 2022 (Divided Publishing, Brussels). She writes regularly for Artforum, The New York Review of Books and The New York Times.
Jane Campion
Jane Campion is an award-winning New Zealand-born Australasian filmmaker. She is the writer and director of the internationally acclaimed films The piano (1993) and The power of the dog (2021), for which she has received two Academy Awards, two BAFTA Awards, and two Golden Globe Awards. Other films include Sweetie (1989), An angel at my table (1990) and Holy smoke! (1999). Her television work includes the miniseries Top of the lake (2013) and Top of the lake: China girl (2017). She is currently the director of a pop-up two-year film school aimed at emerging writer/directors and funded by Netflix.
Chris Kraus
Chris Kraus is the author of four novels, three essay collections and a literary biography of Kathy Acker. Her books include Summer of hate (2012), Where art belongs (2011), Torpor (2006), Video Green: Los Angeles art and the triumph of nothingness (2004), Aliens and anorexia (2000) and the acclaimed novel I love Dick (1997). She has written about art and culture for The Guardian, The New Yorker, The Washington Post and many other publications. She is a co-editor, alongside Hedi El Kholti, of the independent press Semiotext(e). She lives in Los Angeles and teaches writing at ArtCenter.
Philip Larratt-Smith
Philip Larratt-Smith is a curator and writer based in New York. Since 2019, he has been curator of The Easton Foundation in New York, which administers the legacy of Louise Bourgeois. In 2012, he presented Bourgeois's psychoanalytic writings in the exhibition and two-volume publication Louise Bourgeois: The return of the repressed (2012). His recent exhibitions of Louise Bourgeois's work include Louise Bourgeois: Freud's Daughter at the Jewish Museum, New York (2021).
規格
退貨說明
退貨須知：
- 依照消費者保護法的規定，您享有商品貨到次日起七天猶豫期(含例假日)的權益(請注意！猶豫期非試用期)，辦理退貨之商品必須是全新狀態(不得有刮傷、破損、受潮)且需完整(包含全部商品、配件、原廠內外包裝、贈品及所有附隨文件或資料的完整性等)。
- 請您以送貨廠商使用之包裝紙箱將退貨商品包裝妥當，若原紙箱已遺失，請另使用其他紙箱包覆於商品原廠包裝之外，切勿直接於原廠包裝上黏貼紙張或書寫文字。若原廠包裝損毀將可能被認定為已逾越檢查商品之必要程度，本公司得依毀損程度扣除回復原狀必要費用(整新費)後退費；請您先確認商品正確、外觀可接受，再行拆封，以免影響您的權利；若為產品瑕疵，本公司接受退貨。
依「通訊交易解除權合理例外情事適用準則」，下列商品不適用七日猶豫期，除產品本身有瑕疵外，不接受退貨：
- 易於腐敗、保存期限較短或解約時即將逾期。(如:生鮮蔬果、乳製品、冷凍冷藏食材、蛋糕)
- 依消費者要求所為之客製化給付。(如:客製印章、鋼筆刻字)
- 報紙、期刊或雜誌。
- 經消費者拆封之影音商品或電腦軟體。
- 非以有形媒介提供之數位內容或一經提供即為完成之線上服務，經消費者事先同意始提供。(如:電子書)
- 已拆封之個人衛生用品。(如:內衣褲、襪類、褲襪、刮鬍刀、除毛刀等貼身用品)
- 國際航空客運服務。
若您退貨時有下列情形，可能被認定已逾越檢查商品之必要程度而須負擔為回復原狀必要費用(整新費)，或影響您的退貨權利，請您在拆封前決定是否要退貨：
- 以數位或電磁紀錄形式儲存或著作權相關之商品(包含但不限於CD、VCD、DVD、電腦軟體等) 包裝已拆封者(除運送用之包裝以外)。
- 耗材(包含但不限於墨水匣、碳粉匣、紙張、筆類墨水、清潔劑補充包等)之商品包裝已拆封者(除運送用之包裝以外)。
- 衣飾鞋類/寢具/織品(包含但不限於衣褲、鞋子、襪子、泳裝、床單、被套、填充玩具)或之商品缺件(含購買商品、附件、內外包裝、贈品等)或經剪標或下水或商品有不可回復之髒污或磨損痕跡。
- 食品、美容/保養用品、內衣褲等消耗性或個人衛生用品、商品銷售頁面上特別載明之商品已拆封者(除運送用之包裝外一切包裝、包括但不限於瓶蓋、封口、封膜等接觸商品內容之包裝部分)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 家電、3C、畫作、電子閱讀器等商品，除商品本身有瑕疵外，退回之商品已拆封(除運送用之包裝外一切包裝、包括但不限於封膜等接觸商品內容之包裝部分、移除封條、拆除吊牌、拆除貼膠或標籤等情形)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 退貨程序請參閱【客服專區→常見問題→誠品線上退貨退款】之說明。