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✰文藝復興偉大畫家
✰老彼得．布勒哲爾畫集
充滿臨場感的驚艷畫作！老彼得．布勒哲爾（約 1526/30–1569 年）身處於充滿衝突的時代，他目睹了宗教戰爭、殘酷統治以及宗教法庭的迫害。目前為止，我們對這位藝術家還有未解之謎，我們不知道他的出生地和確切出生日，但他的繪畫和作品特色仍向現今時代展現出人文價值。
布勒哲爾最初是出版商 Hieronymus Cock 的版畫設計師，他製作了許多在歐洲發行的版畫，描繪了惡習、美德、歡樂的農民節和全幅風景，之後全心投入繪畫創作，為文化精英工作。
這本畫集展示布勒哲爾在藝術上的進步，他一直勇敢面對那個時代的問題，同時提出新的發明和解決方案，他沒有將現實理想化，而是揭露宗教戰爭的恐怖，並對教會制度採取了批判的立場，為此，他建構屬於自己的異議繪畫語言，將日常場景與內心訴求結合起來，隱晦地迴避負面沖擊。
本書以前所未有的方式捕捉其作品的廣度和精彩細節，並以原始複製品的形式涵蓋40幅繪畫、65幅素描和89幅版畫——每一件作品都是對宗教和民間文化的獨特見證。
Sense of a Scene
Pieter Bruegel's complete works in highest resolution
The life and times of Pieter Bruegel the Elder (c. 1526/30–1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba’s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.
This monograph is a testament to Bruegel’s evolution as an artist, one who bravely confronted the issues of his day all the while proposing new inventions and solutions. Rather than idealizing reality, he addressed the horrors of religious warfare and took a critical stand against the institution of the Church. To this end, he developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions.
This collection captures all the breadth and splendid detail of Bruegel’s oeuvre like never before, and gathers all 40 paintings, 65 drawings, and 89 engravings in pristine reproductions—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.
This monograph is a testament to Bruegel’s evolution as an artist, one who bravely confronted the issues of his day all the while proposing new inventions and solutions. Rather than idealizing reality, he addressed the horrors of religious warfare and took a critical stand against the institution of the Church. To this end, he developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions.
This collection captures all the breadth and splendid detail of Bruegel’s oeuvre like never before, and gathers all 40 paintings, 65 drawings, and 89 engravings in pristine reproductions—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.
作者介紹
Jürgen Müller
Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied Art History at the universities of Bochum, Münster, Pisa, Paris, and Amsterdam, and has worked as an art critic and curator of numerous exhibitions. He is also the editor of TASCHEN’s movies by decade series.
Thomas Schauerte
Thomas Schauerte is the director of the municipal museums in Aschaffenburg. Until 2019 he was the manager of the Albrecht Dürer House, the City Museum and the art collections of the City of Nuremberg. He is a specialist in graphic art whose research focusses on Albrecht Dürer and the art of the Middle Ages and the Baroque period.
Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied Art History at the universities of Bochum, Münster, Pisa, Paris, and Amsterdam, and has worked as an art critic and curator of numerous exhibitions. He is also the editor of TASCHEN’s movies by decade series.
Thomas Schauerte
Thomas Schauerte is the director of the municipal museums in Aschaffenburg. Until 2019 he was the manager of the Albrecht Dürer House, the City Museum and the art collections of the City of Nuremberg. He is a specialist in graphic art whose research focusses on Albrecht Dürer and the art of the Middle Ages and the Baroque period.
規格
誠品貨碼 / 2682257701008
ISBN13 / 9783836583619
ISBN10 / 3836583615
EAN貨碼 / 9783836583619
頁數 / 492
注音版 / 否
裝訂 / H:精裝
語言 / 3:英文
尺寸 / 34X25X0CM
級別 / N:無
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