Cinema Politics Philiosophy | 誠品線上

Cinema Politics Philiosophy

內容簡介

內容簡介 Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema Ideology Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema Politics Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political? In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema Politics Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.

作者介紹

作者介紹 Nico Baumbach is associate professor of film and media studies at Columbia University.

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