防詐3要訣：不聽信、不操作、掛斷電話 
Networked Bodies: The Culture and Ecosystem of Contemporary Performance
身體網絡: 當代表演的文化與生態
出版社：
出版日期：
2022/12/31
9
450405
查詢門市庫存
21世紀亞洲當代表演於跨文化及跨領域實踐的新視野讀本
內容簡介
“This publication assembling the practices and discourses of ‘Asian contemporary performance’ is assuredly a statement of ‘the world we have made’ for the now and the future, as well as a means of connecting TPAC and other ‘worlds.’ ”－Ruo-Yu LIU, Chairwoman of Taipei Performing Arts Center
“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”－John Tain, Head of Research at Asia Art Archive
“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”－Chun-Yen WANG, Art Critic
“The anthology sheds light on contemporary, situated approaches to ‘the notion of composition,’ breaking with linear processes of gathering through decolonial and collective movement-based practices.”－Madeleine Planeix-Crocker, Associate Curator at Lafayette Anticipations
Asia Discovers Asia Meeting for Contemporary Performance (ADAM) was founded by Taipei Performing Arts Center in 2017. Jointly conceived with River Lin, a Taiwanese artist and curator currently living and working between France and Taiwan, the project aims to build a research and exchange platform for cross-cultural and interdisciplinary performance art in the Asia-Pacific region. Different from other similar networks and art markets that focus on transactions, ADAM emphasizes an ‘artist-led’ concept and practice. It invites artists to disrupt the relationships and dialogues between institutions and artist communities through the ecological processes of conception, research and development, as well as production, and also provides sustenance and companionship to artists while they embark on their journeys in creative research and co-creation.
This book is based on the exchanges, research and practices undertaken by artists from across the Asia-Pacific region and beyond who have worked with performance as a medium, form and method during the 2017-2021 editions of ADAM (Asia Discovers Asia Meeting for Contemporary Performance). It proposes or questions work-in-progress modes of knowledge production in the glocal context of contemporary performance. This publication documents the trajectory of ADAM, and further expands the discursive process for the problematique related to issues such as geopolitics, community and social engagement, cross-cultural studies, and interdisciplinary art.
“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”－John Tain, Head of Research at Asia Art Archive
“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”－Chun-Yen WANG, Art Critic
“The anthology sheds light on contemporary, situated approaches to ‘the notion of composition,’ breaking with linear processes of gathering through decolonial and collective movement-based practices.”－Madeleine Planeix-Crocker, Associate Curator at Lafayette Anticipations
Asia Discovers Asia Meeting for Contemporary Performance (ADAM) was founded by Taipei Performing Arts Center in 2017. Jointly conceived with River Lin, a Taiwanese artist and curator currently living and working between France and Taiwan, the project aims to build a research and exchange platform for cross-cultural and interdisciplinary performance art in the Asia-Pacific region. Different from other similar networks and art markets that focus on transactions, ADAM emphasizes an ‘artist-led’ concept and practice. It invites artists to disrupt the relationships and dialogues between institutions and artist communities through the ecological processes of conception, research and development, as well as production, and also provides sustenance and companionship to artists while they embark on their journeys in creative research and co-creation.
This book is based on the exchanges, research and practices undertaken by artists from across the Asia-Pacific region and beyond who have worked with performance as a medium, form and method during the 2017-2021 editions of ADAM (Asia Discovers Asia Meeting for Contemporary Performance). It proposes or questions work-in-progress modes of knowledge production in the glocal context of contemporary performance. This publication documents the trajectory of ADAM, and further expands the discursive process for the problematique related to issues such as geopolitics, community and social engagement, cross-cultural studies, and interdisciplinary art.
產品目錄
Preface／The Future and the World We Have Made_______Ruo-Yu LIU
Foreword／
What’s in a Name? _______John TAIN
Calling for (the Absent) Asia_______Chun-Yen WANG
River Gatherings_______Madeleine PLANEIX-CROCKER
Introduction／River LIN
About ADAM
Chapter 1: The Artist’s Bodies and Research
The Archive and Repertoire of Butoh: Takao Kawaguchi’s About Kazuo Ohno_______Nanako NAKAJIMA
The Discursive Body in Fluid Performance Processes: Watan Tusi’s TAI Body Theatre_______Ling-Chih CHOW
The Intersection of the Body, Technology, and Science: Su Wen-Chi’s Interdisciplinary Practice_______Chih-Yung Aaron CHIU
Digital Shamanism: On Half-Spiritual Eyes and the Curation of Existences in Choy Ka Fai’s Oeuvre_______Nicole HAITZINGER
Performance Art: Melati Suryodarmo's Walk of Life_______Cristina SANCHEZ-KOZYREVA
How the Body Moves: Eisa Jocson’s Work and Research_______Betty Yi-Chun CHEN
The Manner and Mind of an Anti-Establishment Girl: Su PinWen and the Trajectory of the Girl’s Notes Trilogy_______Tsung-Hsin LEE
Seven Drifts on the Possibilities of Shared Spaces_______Xin CHENG
Joining the Current of Love: On the Practice of Latai Taumoepeau_______Jessica OLIVIERI
Chapter 2: Working Collaboratively in Transcultural Practices
A Waffle Named ‘What is chinese?’ _______Cheng-Ting CHEN
Down the Garden Path: The Work, Origin and Legacy of Paeonia Drive_______Anador WALSH
Behalf : Chen Wu-Kang and Pichet Klunchun’s ‘Non-Western-Centric’ Transcultural Performance_______I-Wen CHANG
Bound Together: Luke George and Daniel Kok’s Collaborative Artistic Practice_______Betty Yi-Chun CHEN
In Search of Similarities amid Differences: International Collaboration and Local Participation of Disappearing Island_______Tsung-Hsin LEE
Collective and Collaborative Work and Its Pre- and Post-Performance: IsLand Bar (2017-2021) _______Ding-Yun HUANG
Thinking Borders, Oceanically: On The Past is a Foreign Country by Michikazu Matsune and Jun Yang_______Freda FIALA
Chapter 3: Mapping the Art Ecosystem
Curating/Rethinking Arts Ecosystems in Asia with Networks and Gatherings_______Rosemary HINDE
The Lab-ing Must Go On…_______Ding-Yun HUANG
Call and Response: A Practice in Dialogue, an Exercise in Imagination, a Rehearsal for a Different Future―A Look Back on Drama Box’s IgnorLAND of its Loss_______Xuemei HAN
KOREOGRAFI, An Indonesian (Missing) Biography_______Helly MINARTI
Vuth Lyno, Moeng Meta, Prumsodun Ok and Community Arts Education in Cambodia_______Danielle KHLEANG
Ten Years of Transformation: The Positioning and Evolution of the Pulima Art Festival_______Cheng-Hua CHIANG
Dancing in Museums: Choreographing Live Art in Taiwan_______I-Wen CHANG
When Shows Must Go Online: The Framing of the Visual Interface and Its Extension_______An interview with Po-Wei WANG by Hsuan TANG
Notes on Enquiries into Asia(s) _______Enoch CHENG
Responding to the Shifting Worlds: Chiaki Soma’s Curatorial Practice_______Betty Yi-Chun CHEN
Appendix
Programs of ADAM 2017-2021
Writers’ Biographies
Foreword／
What’s in a Name? _______John TAIN
Calling for (the Absent) Asia_______Chun-Yen WANG
River Gatherings_______Madeleine PLANEIX-CROCKER
Introduction／River LIN
About ADAM
Chapter 1: The Artist’s Bodies and Research
The Archive and Repertoire of Butoh: Takao Kawaguchi’s About Kazuo Ohno_______Nanako NAKAJIMA
The Discursive Body in Fluid Performance Processes: Watan Tusi’s TAI Body Theatre_______Ling-Chih CHOW
The Intersection of the Body, Technology, and Science: Su Wen-Chi’s Interdisciplinary Practice_______Chih-Yung Aaron CHIU
Digital Shamanism: On Half-Spiritual Eyes and the Curation of Existences in Choy Ka Fai’s Oeuvre_______Nicole HAITZINGER
Performance Art: Melati Suryodarmo's Walk of Life_______Cristina SANCHEZ-KOZYREVA
How the Body Moves: Eisa Jocson’s Work and Research_______Betty Yi-Chun CHEN
The Manner and Mind of an Anti-Establishment Girl: Su PinWen and the Trajectory of the Girl’s Notes Trilogy_______Tsung-Hsin LEE
Seven Drifts on the Possibilities of Shared Spaces_______Xin CHENG
Joining the Current of Love: On the Practice of Latai Taumoepeau_______Jessica OLIVIERI
Chapter 2: Working Collaboratively in Transcultural Practices
A Waffle Named ‘What is chinese?’ _______Cheng-Ting CHEN
Down the Garden Path: The Work, Origin and Legacy of Paeonia Drive_______Anador WALSH
Behalf : Chen Wu-Kang and Pichet Klunchun’s ‘Non-Western-Centric’ Transcultural Performance_______I-Wen CHANG
Bound Together: Luke George and Daniel Kok’s Collaborative Artistic Practice_______Betty Yi-Chun CHEN
In Search of Similarities amid Differences: International Collaboration and Local Participation of Disappearing Island_______Tsung-Hsin LEE
Collective and Collaborative Work and Its Pre- and Post-Performance: IsLand Bar (2017-2021) _______Ding-Yun HUANG
Thinking Borders, Oceanically: On The Past is a Foreign Country by Michikazu Matsune and Jun Yang_______Freda FIALA
Chapter 3: Mapping the Art Ecosystem
Curating/Rethinking Arts Ecosystems in Asia with Networks and Gatherings_______Rosemary HINDE
The Lab-ing Must Go On…_______Ding-Yun HUANG
Call and Response: A Practice in Dialogue, an Exercise in Imagination, a Rehearsal for a Different Future―A Look Back on Drama Box’s IgnorLAND of its Loss_______Xuemei HAN
KOREOGRAFI, An Indonesian (Missing) Biography_______Helly MINARTI
Vuth Lyno, Moeng Meta, Prumsodun Ok and Community Arts Education in Cambodia_______Danielle KHLEANG
Ten Years of Transformation: The Positioning and Evolution of the Pulima Art Festival_______Cheng-Hua CHIANG
Dancing in Museums: Choreographing Live Art in Taiwan_______I-Wen CHANG
When Shows Must Go Online: The Framing of the Visual Interface and Its Extension_______An interview with Po-Wei WANG by Hsuan TANG
Notes on Enquiries into Asia(s) _______Enoch CHENG
Responding to the Shifting Worlds: Chiaki Soma’s Curatorial Practice_______Betty Yi-Chun CHEN
Appendix
Programs of ADAM 2017-2021
Writers’ Biographies
作者介紹
River Lin , I-Wen CHANG , Cheng-Ting CHEN , Betty Yi-Chun CHEN , Enoch CHENG , Xin CHENG , Cheng-Hua CHIANG , Chih-Yung Aaron CH
Editor-in-Chief: River LIN
Authors: I-Wen CHANG, Cheng-Ting CHEN, Betty Yi-Chun CHEN, Enoch CHENG, Xin CHENG, Cheng-Hua CHIANG, Chih-Yung Aaron CHIU, Ling-Chih CHOW, Freda FIALA, Nicole HAITZINGER, Xuemei HAN, Rosemary HINDE, Ding-Yun HUANG, Danielle KHLEANG, Tsung-Hsin LEE, Helly MINARTI, Nanako NAKAJIMA, Jessica OLIVIERI, Hsuan TANG, Cristina SANCHEZ-KOZYREVA, Anador WALSH, Po-Wei WANG
*Listed in alphabetical order of surname.
Translators: (Mandarin Chinese to English) Elliott Y.N. ChEUNG, Johnny KO, Elizabeth LEE, River LIN, Stephen MA, Cheryl ROBBINS; (English to Mandarin Chinese) Tai-Jung YU, Yen-Ing CHEN
Editor-in-Chief: River LIN
Authors: I-Wen CHANG, Cheng-Ting CHEN, Betty Yi-Chun CHEN, Enoch CHENG, Xin CHENG, Cheng-Hua CHIANG, Chih-Yung Aaron CHIU, Ling-Chih CHOW, Freda FIALA, Nicole HAITZINGER, Xuemei HAN, Rosemary HINDE, Ding-Yun HUANG, Danielle KHLEANG, Tsung-Hsin LEE, Helly MINARTI, Nanako NAKAJIMA, Jessica OLIVIERI, Hsuan TANG, Cristina SANCHEZ-KOZYREVA, Anador WALSH, Po-Wei WANG
*Listed in alphabetical order of surname.
Translators: (Mandarin Chinese to English) Elliott Y.N. ChEUNG, Johnny KO, Elizabeth LEE, River LIN, Stephen MA, Cheryl ROBBINS; (English to Mandarin Chinese) Tai-Jung YU, Yen-Ing CHEN
規格
誠品貨碼 / 2682315818006
ISBN13 / 9786267144602
ISBN10 / 6267144607
EAN貨碼 / 9786267144602
頁數 / 289
裝訂 / P:平裝
語言 / 3:英文
尺寸 / 23X17X1.5CM
級別 / N:無
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