防詐3要訣：不聽信、不操作、掛斷電話 
The Drive-In: Outdoor Cinema in 1950s America and the Popular Imagination
DRIVE-IN
出版日期：
2025/07/23
2,000
訂單自國外空運，約14-21個工作天(不含例假日)到貨後依序出貨。為縮短等待，建議將此商品和其他商品分開下單。
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內容簡介
The Drive-Inmeaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films.
Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination.
The Drive-Inidentifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination.
The Drive-Inidentifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
作者介紹
Guy Barefoot is Honorary Fellow at the University of Leicester, UK, where he was Associate Professor in Film Studies until 2022. He is the author of the books Trash Cinema: The Lure of the Low (2017), The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s (2017), and Gaslight Melodrama: From Victorian London to 1940s Hollywood (2001).
規格
誠品貨碼 /
ISBN13 / 9781501375019
ISBN10 /
EAN貨碼 / 9781501375019
裝訂 / P:平裝
頁數 / 272
重量(g) / 362.9
語言 / 3:英文
級別 / N:無
尺寸 / 22.9X15.2X1.4CM
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