防詐3要訣：不聽信、不操作、掛斷電話 
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China
CINEMATIC GUERRILLAS
出版日期：
2023/12/25
1,750
訂單自國外空運，約14-21個工作天(不含例假日)到貨後依序出貨。為縮短等待，建議將此商品和其他商品分開下單。
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內容簡介
Winner, 2025 Katherine Singer Kovács Book Award, Society for Cinema and Media Studies
Winner, 2024 Moving Image Book Award, Kraszna-Krausz Foundation Winner, 2024 Choice Outstanding Academic Title Honorable Mention, 2025 Joseph Levenson Prize (post-1900), Association for Asian Studies How might cinema make revolution and mobilize the masses? In socialist China, the film exhibition network expanded from fewer than six hundred movie theaters to more than a hundred thousand mobile film projectionist teams. Holding screenings in improvised open-air spaces in rural areas lacking electricity, these roving projectionists brought not only films but also power generators, loudspeakers, slideshows, posters, live performances, and mass ritual participation, amplifying the era's utopian dreams and violent upheavals. Cinematic Guerrillas is a media history of Chinese film exhibition and reception that offers fresh insights into the powers and limits of propaganda. Drawing on a wealth of archives, memoirs, interviews, and ethnographic fieldwork, Jie Li examines the media networks and environments, discourses and practices, experiences and memories of film projectionists and their grassroots audiences from the 1940s to the 1980s. She considers the ideology and practice of "cinematic guerrillas"--at once denoting onscreen militants, off-the-grid movie teams, and unruly moviegoers--bridging Maoist iconography, the experiences of projectionists, and popular participation and resistance. Li reconceptualizes socialist media practices as "revolutionary spirit mediumship" that aimed to turn audiences into congregations, contribute to the Mao cult, convert skeptics of revolutionary miracles, and exorcize class enemies. Cinematic Guerrillas considers cinema's meanings for revolution and nation building; successive generations of projectionists; workers, peasants, and soldiers; women and ethnic minorities; and national leaders, local cadres, and cultural censors. By reading diverse, vivid, and often surprising accounts of moviegoing, Li excavates Chinese media theories that provide a critical new perspective on world cinema.作者介紹
Jie Li is professor of East Asian languages and civilizations at Harvard University. Her books include Shanghai Homes: Palimpsests of Private Life (Columbia, 2014), Red Legacies in China: Cultural Afterlives of the Communist Revolution (2016), and Utopian Ruins: A Memorial Museum of the Mao Era (2020).
規格
誠品貨碼 /
ISBN13 / 9780231206273
ISBN10 /
EAN貨碼 / 9780231206273
裝訂 / P:平裝
頁數 / 360
語言 / 3:英文
級別 / N:無
尺寸 / 15.2X22.9X2.8CM
重量(g) / 453.6
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