防詐3要訣：不聽信、不操作、掛斷電話 
Yayoi Kusama: Infinity Mirrors
YAYOI KUSAMA INFINITY MIRRORS
出版社：
出版日期：
2023/10/30
2,090
訂單自國外空運，約14-21個工作天(不含例假日)到貨後依序出貨。為縮短等待，建議將此商品和其他商品分開下單。
查詢門市庫存
內容簡介
草間彌生「無限鏡屋」權威作品集：走入光影交織的無限宇宙
首部也是唯一一部全面探索草間彌生最知名、最壯觀系列的專書
與美國赫希洪博物館暨雕塑園共同出版
本書聚焦享譽全球的日本藝術家草間彌生最具代表性的「無限鏡屋」（Infinity Mirror Rooms）系列，回顧其逾50年的創作歷程，以及它對當代藝術發展所帶來的深遠影響。
草間彌生的鏡屋布滿繽紛燈光，透過鏡面無止境地映照延伸。從近似窺視箱的密閉空間，到融合多種媒材的大型裝置，每一座萬花筒般的沉浸式場域，都邀請觀者踏入無邊無際的幻象空間。
這部權威性專書完整梳理「無限鏡屋」系列的演變，揭示作品意義如何隨時代轉化：從越戰時期象徵草間彌生「自我消融」的激進表達，到近年對和諧、連結與宇宙共存的追求。書中並置早期令人不安的實驗性裝置與近期絢麗迷人的沉浸式作品，將她的先驅性創作置於藝術史脈絡之中，重新審視其與當今體驗式藝術熱潮的關聯。
全書收錄大量精美圖片，帶領讀者深入理解「無限鏡屋」如何貫穿草間彌生的藝術生涯，並改變人們觀看、進入與感受藝術的方式。
草間彌生（1929年生）的創作橫跨雕塑、裝置、繪畫、行為藝術、錄像、時尚、詩歌與小說等領域。早年在日本，她主要從事紙上創作；1950年代末移居紐約後，躋身前衛藝術圈，以軟雕塑及實驗性創作影響安迪．沃荷、克拉斯．歐登伯格等藝術家。此時她亦積極參與偶發藝術與行為表演，並開始大量運用如今已成為個人標誌的圓點圖案。
1973年返回日本後，她的創作一度淡出國際視野；直到1980年代，藝壇重新燃起對她的關注，使其作品逐步確立經典地位，並成為今日最具影響力的當代藝術家之一。
The first and only comprehensive volume exploring the artist’s best-known and most spectacular series
Published with Hirshhorn Museum and Sculpture Garden.
This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the Infinity Mirror Rooms, and charts its influence on the course of contemporary art for over 50 years.
Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic environments offers the chance to step into an illusion of infinite space. This definitive publication traces these installations and reveals how, over the years, the works have come to symbolize different modalities, from Kusama’s “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present. By examining her early unsettling installations alongside her more recent atmospheres, this publication historicizes her pioneering work amid today’s renewed interest in experiential practices. Generously illustrated, this book invites readers to examine the series’ impact over the course of the artist’s career.
Yayoi Kusama (born 1929) has worked not only in sculpture and installation but also painting, performance, video art, fashion, poetry, fiction and other arts. In her early career in Japan, she produced mostly works on paper. With her late-1950s move to New York City, she joined the ranks of the avant-garde, working in soft sculpture and influencing the likes of Warhol and Oldenburg. At this time, she was also involved with happenings and other performance-oriented works and began to deploy her signature dots. Her work fell into relative obscurity after her return to Japan in 1973, but a subsequent revival of interest in the 1980s elevated her work to the canonical status that it still enjoys today.
This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the Infinity Mirror Rooms, and charts its influence on the course of contemporary art for over 50 years.
Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic environments offers the chance to step into an illusion of infinite space. This definitive publication traces these installations and reveals how, over the years, the works have come to symbolize different modalities, from Kusama’s “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present. By examining her early unsettling installations alongside her more recent atmospheres, this publication historicizes her pioneering work amid today’s renewed interest in experiential practices. Generously illustrated, this book invites readers to examine the series’ impact over the course of the artist’s career.
Yayoi Kusama (born 1929) has worked not only in sculpture and installation but also painting, performance, video art, fashion, poetry, fiction and other arts. In her early career in Japan, she produced mostly works on paper. With her late-1950s move to New York City, she joined the ranks of the avant-garde, working in soft sculpture and influencing the likes of Warhol and Oldenburg. At this time, she was also involved with happenings and other performance-oriented works and began to deploy her signature dots. Her work fell into relative obscurity after her return to Japan in 1973, but a subsequent revival of interest in the 1980s elevated her work to the canonical status that it still enjoys today.
The first and only comprehensive volume exploring the artist's best-known and most spectacular series
Published with Hirshhorn Museum and Sculpture Garden.
This book presents world-renowned Japanese artist Yayoi Kusama's most famous series, the Infinity Mirror Rooms, and charts its influence on the course of contemporary art for over 50 years.Kusama's rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama's kaleidoscopic environments offers the chance to step into an illusion of infinite space. This definitive publication traces these installations and reveals how, over the years, the works have come to symbolize different modalities, from Kusama's "self-obliteration" in the Vietnam War era to her more harmonious aspirations in the present. By examining her early unsettling installations alongside her more recent atmospheres, this publication historicizes her pioneering work amid today's renewed interest in experiential practices. Generously illustrated, this book invites readers to examine the series' impact over the course of the artist's career.
Yayoi Kusama (born 1929) has worked not only in sculpture and installation but also painting, performance, video art, fashion, poetry, fiction and other arts. In her early career in Japan, she produced mostly works on paper. With her late-1950s move to New York City, she joined the ranks of the avant-garde, working in soft sculpture and influencing the likes of Warhol and Oldenburg. At this time, she was also involved with happenings and other performance-oriented works and began to deploy her signature dots. Her work fell into relative obscurity after her return to Japan in 1973, but a subsequent revival of interest in the 1980s elevated her work to the canonical status that it still enjoys today.
規格
誠品貨碼 /
ISBN13 / 9781636811215
ISBN10 /
EAN貨碼 / 9781636811215
裝訂 / H:精裝
頁數 / 224
語言 / 3:英文
級別 / N:無
尺寸 / 27.6X22.2X2.4CM
重量(g) / 1383.5
退貨說明
退貨須知：
- 依照消費者保護法的規定，您享有商品貨到次日起七天猶豫期(含例假日)的權益(請注意！猶豫期非試用期)，辦理退貨之商品必須是全新狀態(不得有刮傷、破損、受潮)且需完整(包含全部商品、配件、原廠內外包裝、贈品及所有附隨文件或資料的完整性等)。
- 請您以送貨廠商使用之包裝紙箱將退貨商品包裝妥當，若原紙箱已遺失，請另使用其他紙箱包覆於商品原廠包裝之外，切勿直接於原廠包裝上黏貼紙張或書寫文字。若原廠包裝損毀將可能被認定為已逾越檢查商品之必要程度，本公司得依毀損程度扣除回復原狀必要費用(整新費)後退費；請您先確認商品正確、外觀可接受，再行拆封，以免影響您的權利；若為產品瑕疵，本公司接受退貨。
依「通訊交易解除權合理例外情事適用準則」，下列商品不適用七日猶豫期，除產品本身有瑕疵外，不接受退貨：
- 易於腐敗、保存期限較短或解約時即將逾期。(如:生鮮蔬果、乳製品、冷凍冷藏食材、蛋糕)
- 依消費者要求所為之客製化給付。(如:客製印章、鋼筆刻字)
- 報紙、期刊或雜誌。
- 經消費者拆封之影音商品或電腦軟體。
- 非以有形媒介提供之數位內容或一經提供即為完成之線上服務，經消費者事先同意始提供。(如:電子書)
- 已拆封之個人衛生用品。(如:內衣褲、襪類、褲襪、刮鬍刀、除毛刀等貼身用品)
- 國際航空客運服務。
若您退貨時有下列情形，可能被認定已逾越檢查商品之必要程度而須負擔為回復原狀必要費用(整新費)，或影響您的退貨權利，請您在拆封前決定是否要退貨：
- 以數位或電磁紀錄形式儲存或著作權相關之商品(包含但不限於CD、VCD、DVD、電腦軟體等) 包裝已拆封者(除運送用之包裝以外)。
- 耗材(包含但不限於墨水匣、碳粉匣、紙張、筆類墨水、清潔劑補充包等)之商品包裝已拆封者(除運送用之包裝以外)。
- 衣飾鞋類/寢具/織品(包含但不限於衣褲、鞋子、襪子、泳裝、床單、被套、填充玩具)或之商品缺件(含購買商品、附件、內外包裝、贈品等)或經剪標或下水或商品有不可回復之髒污或磨損痕跡。
- 食品、美容/保養用品、內衣褲等消耗性或個人衛生用品、商品銷售頁面上特別載明之商品已拆封者(除運送用之包裝外一切包裝、包括但不限於瓶蓋、封口、封膜等接觸商品內容之包裝部分)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 家電、3C、畫作、電子閱讀器等商品，除商品本身有瑕疵外，退回之商品已拆封(除運送用之包裝外一切包裝、包括但不限於封膜等接觸商品內容之包裝部分、移除封條、拆除吊牌、拆除貼膠或標籤等情形)或已非全新狀態(外觀有刮傷、破損、受潮等)與包裝不完整(缺少商品、附件、原廠外盒、保護袋、配件紙箱、保麗龍、隨貨文件、贈品等)。
- 退貨程序請參閱【客服專區→常見問題→誠品線上退貨退款】之說明。
付款/配送