Diane Arbus Documents | 誠品線上

Diane Arbus Documents

內容簡介

內容簡介 **黛安．阿勃絲（Diane Arbus）**是戰後美國攝影史上最具影響力的人物之一，以極具張力的黑白人像攝影聞名。她的作品凝視那些常被社會視為「邊緣者」的人物——馬戲團表演者、變裝者、雙胞胎、街頭人物與各種社會角色，透過直接而凝視的鏡頭，呈現出既親密又令人不安的觀看關係。有人批評其影像帶有「陰森」與「令人不安」的氣質，也有人讚譽其作品真誠、揭示人性的深層面貌。正因如此，阿勃絲的作品長期處於藝術評論與文化辯論的核心。本書聚焦於圍繞 黛安．阿勃絲作品所形成的評論與論述，透過大量歷史文獻，重建她在藝術史中的位置。全書分為 11 個主題章節，圍繞阿勃絲的重要展覽、生平事件、創作方法與拍攝對象展開。書中收錄 70 篇評論文章與論文的影印文獻（facsimiles），構成一座完整的評論檔案，追溯不同時代如何解讀她的影像。此外，本書亦收錄：超過 600 筆註解書目（annotated bibliography）完整的 展覽歷史（exhibition history）因此，《Documents》不僅是理解阿勃絲的重要資料集，也是一部研究 攝影史、藝術評論與文化研究的關鍵參考書。Known for her evocative portraits, Diane Arbus is a pivotal figure in American postwar photography. Undeniably striking, Arbus’s black-and-white photographs capture a unique gaze. Criticized as well as lauded for her photographs of people deemed “outsiders,” Arbus continues to attract a diversity of opinions surrounding her subjects and practice. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” In the absence of Arbus’s own voice, art criticism and cultural shifts have shaped the language attributed to her work. Organized in eleven sections that focus on major exhibitions and significant events in Arbus’s life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays––an archive by all accounts––trace the discourse on Diane Arbus, contextualizing her hugely successful oeuvre. Also with an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.

作者介紹

作者介紹 Diane ArbusDiane Arbus (1923–1971) is one of the most original and influential photographers of the twentieth century. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model and had her first published photographs appear in Esquire in 1960. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents, John Szarkowski’s landmark exhibition at The Museum of Modern Art, New York, in 1967. Arbus’s depictions of couples, children, female impersonators, nudists, New York City pedestrians, suburban families, circus performers, and celebrities, among others, span the breadth of the postwar American social sphere and constitute a diverse and singularly compelling portrait of humanity.Max RosenbergMax Rosenberg is an art historian and associate director of research and exhibitions at David Zwirner. He has worked with the Estate of Diane Arbus since 2018. In that year, he helped organize Diane Arbus: Untitled, the gallery's inaugural exhibition of Arbus's work. He has received grants and awards from the Dedalus Foundation, the Fulbright Program, the German Academic Exchange Service (DAAD), and the Getty Research Institute, among other institutions. His writings have appeared in various publications, including The Getty Research Journal, Texte zur Kunst, and Art in America.

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最佳賣點

最佳賣點 : 黛安．阿勃絲（Diane Arbus）**是戰後美國攝影史上最具影響力的人物之一，以極具張力的黑白人像攝影聞名。她的作品凝視那些常被社會視為「邊緣者」的人物——馬戲團表演者、變裝者、雙胞胎、街頭人物與各種社會角色，透過直接而凝視的鏡頭，呈現出既親密又令人不安的觀看關係。

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