防詐3要訣：不聽信、不操作、掛斷電話 
The Time of the Landscape: On the Origins of the Aesthetic Revolution
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法國現代哲學家洪席耶談論美學觀的構成與變革
內容簡介
The time of the landscape is not the time when people started describing landscapes in poems or representing gardens in works of art: it is the time when the landscape imposed itself as a specific object of thought. This object of thought was constituted through quarrels about how gardens were to be arranged, through accounts of travels to solitary lakes and remote mountains, or through evocations of mythological or rustic paintings.
Jacques Rancière retraces these narratives and quarrels, showing how they gave rise to a form of sensibility capable of modifying the existing configuration of modes of perception and objects of thought. The time of the landscape is the time when both the harmony of arranged gardens and the disharmony of wild nature contributed to a revolution in the criteria of the beautiful and the meaning of the word ‘art’. It coincided with the birth of aesthetics, understood as a regime for the perception of and thinking about art, and also with the French Revolution, understood as a revolution in the very idea of what binds a human community. The time of the landscape was the time when the conjunction of these two upheavals brought into focus, however hazily, a common horizon: that of a revolution that no longer concerns only state laws or artistic norms, but the very forms of sensible experience.
This brilliant and wide-ranging book will be of interest to students and scholars in philosophy, literature, the visual arts and the humanities generally, and it will appeal to anyone interested in critical theory and philosophy.
Jacques Rancière retraces these narratives and quarrels, showing how they gave rise to a form of sensibility capable of modifying the existing configuration of modes of perception and objects of thought. The time of the landscape is the time when both the harmony of arranged gardens and the disharmony of wild nature contributed to a revolution in the criteria of the beautiful and the meaning of the word ‘art’. It coincided with the birth of aesthetics, understood as a regime for the perception of and thinking about art, and also with the French Revolution, understood as a revolution in the very idea of what binds a human community. The time of the landscape was the time when the conjunction of these two upheavals brought into focus, however hazily, a common horizon: that of a revolution that no longer concerns only state laws or artistic norms, but the very forms of sensible experience.
This brilliant and wide-ranging book will be of interest to students and scholars in philosophy, literature, the visual arts and the humanities generally, and it will appeal to anyone interested in critical theory and philosophy.
作者介紹
Jacques Rancière
Jacques Rancière is a leading French philosopher and Professor Emeritus of Philosophy at the University of Paris-St. Denis. He is the author of many books on politics and aesthetics including Hatred of Democracy, The Emancipated Spectator, The Politics of Literature and The Edges of Fiction.
Jacques Rancière is a leading French philosopher and Professor Emeritus of Philosophy at the University of Paris-St. Denis. He is the author of many books on politics and aesthetics including Hatred of Democracy, The Emancipated Spectator, The Politics of Literature and The Edges of Fiction.
規格
誠品貨碼 / 2682179531004
ISBN13 / 9781509548156
ISBN10 / 1509548157
EAN貨碼 / 9781509548156
頁數 / 120
裝訂 / P:平裝
語言 / 3:英文
尺寸 / 21.6X13.8X0CM
級別 / N:無
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