神木之島: 原聲帶 | 誠品線上

The Island and the Trees: Original Soundtrack

內容簡介

內容簡介 跟著鏡頭飛遠，模擬鳥的視野，降落在神木之島的豐饒與神秘，那裡巨木撞到月亮，樂音穿梭永恆。《神木之島》記錄「找樹的人」團隊深入山林，遍訪台灣巨木的過程；為了接近一棵樹，研究者闢路探勘，用浪漫的速度徒步前往未知。電影配樂聯繫起科學理性與探索的憧憬。對Cicada而言，身體感是創作靈感的基礎：為了親睹巨木，主創江致潔跋涉四天，先登上3400公尺的桃山，再陡下1400公尺，循著「找樹的人」橘色路標，一次次在泥濘山徑滑倒，抵達位於深谷的桃山神木。巨木雖高，卻不是都市中驕傲的摩天大樓，而是森林裡的社群中心，大樹小樹相依、蟲鳴鳥叫圍繞，生命各安其位。在樹腳下仰望79.1公尺桃山神木，肉眼僅能及全貌的五分之一。人類沒有附生植物的攀附本能，也無法如鳥般飛翔俯瞰；幸好音樂擴張有限感官，延伸想像力，微小的眼光被拉遠、再更遠。19首配樂，繪製「找樹的人」的勞動與心境。〈台灣杉頌〉弦樂合奏，表現團隊成功架設相機、拍攝巨木等身照的興奮；〈測量樹高〉、〈攀上最高樹〉以弦樂撥奏、斷奏，重複的鋼琴樂句，模擬攀樹攻擊手一蹬一拉、阻抗地心，奮力往上爬的輕快；〈前往未知〉的合成器與大提琴，彷彿前往倚天劍神木途中的困難與懸疑；〈我們的森林〉以低音豎笛渾厚低音，共鳴台灣杉的粗樸與厚實紋理；〈霧林帶〉鋼琴流倘被濕氣覆蓋的朦朧林間，孕育巨木的氣候。於是跟著鏡頭飛遠，模擬鳥的視野，或者降落在神木之島的豐饒與神秘，那裡巨木撞到月亮，樂音穿梭永恆。“The Island and the Trees” follows the team known as “Taiwan Champion Trees” as they venture into Taiwan's mountains to search for giant trees. To reach a single tree, researchers cut paths through dense forest in remote terrain and wandered toward the unknown.The score brings together scientific observation and the excitement of exploration. For Cicada, physical experience has always been the starting point of composition. To visit one of these giants in person, composer Jesy Chiang spent four days in the mountains, hiking to the 3,400-meter summit of Taoshan before descending 1,400 meters to a steep and muddy valley. Following the orange trail markers left by the research team, she finally arrived at the Tao Tree.The soundtrack's nineteen pieces trace both the work and the inner journey of the tree researchers. “Taiwania” uses a string ensemble to capture the team's excitement after successfully setting up cameras and photographing a giant tree at full scale. In “Measuring the Tree Height” and “Climbing the Tallest Tree,” plucked and detached strings, together with repeating piano patterns, echo the steady rhythm of a climber pushing upward against gravity, one step and one pull at a time. The synthesizer and cello in “Bound for the Unknown” reflect the uncertainty and challenge of the journey to the Yitianjian Sacred Tree. In “Our Forest,” the deep voice of the bass clarinet mirrors the solid presence and rugged texture of the Taiwan cedar. “Cloud Forest” surrounds flowing piano lines with a veil of mist, evoking the cool, humid forests where giant trees have flourished for centuries.The music invites us to soar with the camera, to see the forest through the eyes of a bird, then descend once more into the richness and mystery of the Island of Sacred Trees, where giant trees seem to touch the moon and every note moves through time without end.曲目資訊01 伐木的歷史 The History of Logging02 風之巨木 Behuy03 出發 Departure04 台灣杉頌 Taiwania05 前往未知 Bound for the Unknown06 卡阿郎 Kaalang07 測量樹高 Measuring the Tree Height08 索道木 Cableway Timber09 幻影 Mirage10 本野山 Mt. Benye11 遺留的樹根 The Remaining Roots12 倒木 Fallen Trees13 霧林帶 Cloud Forest14 攀上最高樹 Climbing the Tallest Tree15 大安溪 Da’an River16 星空下 Starry Sky17 採愛玉 Jelly Fig18 樹梢上 The Treetops19 我們的森林 Our Forest

作者介紹

作者介紹 關於Cicada成軍於2009年，Cicada是以小提琴、大提琴、鋼琴、木吉他四種樂器交織而成的當代室內演奏樂團。之所以取名為Cicada是因為，人們察覺到蟬的出現，往往是聽到牠們的聲音，而不是看見其形體。2013年，Cicada開始為台灣的土地創作。《邊境消逝》的主題是西海岸，《仰望海平面》則是東海岸與太平洋，並在2017年延伸至鯨豚、珊瑚與海龜，推出以動物為主題的《不在的你們都去了哪裡》。邁入成團第十年之際，Cicada從海洋走向高山，《走入有霧的森林》宛如以音樂撰寫的登山日記。2022年，透過追尋溪的源頭，將視角轉往山與山之間的森林與谷地，以專輯《棲居在溪源之上》呈現長時間待在山上的各種時刻。2025年以《凝視白色的邊界》，將視角與尺度擴展至台灣以外的島嶼，展開一段循著冰川而行的自然書寫。Cicada的創作靈感來自土地，以室內樂呈現自然環境。具備西方古典音樂的養成，融合當代的音樂語彙，風格與編制跨越語言限制。成團至今，巡演足跡遍及台灣、日本、新加坡、澳洲、奧地利、俄羅斯，歷年海外演出累積上萬觀眾人次，也經常受邀於許多指標性的音樂節演出。除了音樂演出外，Cicada亦持續擴展多元面向的跨國合作，2021年獲日本松竹映畫青睞，參與由妻夫木聰及安藤櫻主演電影《那個男人》配樂製作，並以此片獲得日本電影學院獎「優秀電影音樂獎」。Cicada is a contemporary chamber music ensemble from Taiwan, formed in 2009, consisting of violin, cello, piano, and acoustic guitar. It is named after Cicada because people are aware of cicada's existence by their sound instead of forms.In 2013, Cicada began to compose for Taiwan. The theme of “Coastland” was the west coastland, and “Light Shining Through the Sea” was inspired by the east coast and the Pacific Ocean. “White Forest” released in 2017 drew inspiration from marine life such as humpback whales, dolphins, coral reefs and sea turtles. Cicada walked into the mountain from the ocean on their 10th year and released the hiking journal “Hiking in the Mist”. In 2022, their focus switched to the valleys and forests. “Seeking the Sources of Streams” comprised moments of roaming the mountains. In 2025, their album “Gazing the Shades of White” opened a journey from island to island, following the traces of glaciers across both hemispheres.Cicada takes inspiration from landscapes, using chamber music to bring its natural beauty to life. With a background in Western classical music, the band blends contemporary elements into a unique sound that transcends language. Since forming, Cicada has toured across Taiwan, Japan, Singapore, Australia, Austria, and Russia, performing for tens of thousands of listeners. Beyond live performances, Cicada actively collaborates across borders. In 2021, they were invited by Japan’s Shochiku Films to contribute to the soundtrack of ‘A Man,’ which earned them the Japan Academy Film Prize for Outstanding Achievement in Music.

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最佳賣點

最佳賣點 : 跟著鏡頭飛遠，模擬鳥的視野，
降落在神木之島的豐饒與神秘，
那裡巨木撞到月亮，樂音穿梭永恆。

《神木之島》記錄「找樹的人」團隊深入山林，遍訪台灣巨木的過程；為了接近一棵樹，研究者闢路探勘，用浪漫的速度徒步前往未知。

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