防詐3要訣：不聽信、不操作、掛斷電話 
Don't Let the Pigeon Drive the Bus! (20th Anniversary Ed.)
別讓鴿子開公車!
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莫威樂《別讓鴿子開公車》20週年紀念版
內容簡介
莫威樂《別讓鴿子開公車》20週年紀念版
「別讓那鴿子開巴士！」司機叔叔臨時有事，下車前這麼告訴讀者。
可是，鴿子咕咕哀鳴、撒個小謊、拍小馬屁，總之，千方百計想坐到駕駛座：「我可以開車嗎？」
本書榮獲二○○三凱迪克大獎的圖畫書，創意趣味兼具，非常適合親子共讀，當孩子翻過一頁又一頁，大聲喊出「不行！」時，閱讀的趣味不言而喻。
作者介紹
Mo Willems
As a child
Mo grew up during the 1970s, so he always looked kind of goofy. One time in his school's art class, Mo's teacher told him to stop drawing cartoons all the time. She said big, boring drawings of fruit in a bowl that made people's eyes glaze over were A-R-T, but funny cartoons that made people laugh weren't. She was wrong. Mo had great truble speling when he was a kidd.
As an adult
Mo once met a man in Egypt who had built a huge sand temple about his life (which mostly consisted of images of him constructing a huge sand temple about his life). He dreamt of creating a one-to-one scale model of the desert. Mo drove a motorcyle in New York for about five years without a single accident. Then he realized he was lucky not to have an accident, so he bought a used Volvo. If Mo had known how cool having a wife and daughter was, he would have got them sooner.
As an artist
At age eighteen, Mo moved temporarily to London to pursue his dream of becoming a stand-up comic. He quickly established himself and somehow managed to get a spot in the Edinburgh Fringe Festival before returning to America to become a film student. At New York University he discovered animation and quickly became entranced by the ability to make movies without having to beg a crew to help him. Here he discovered the work of Ronald Searle and the UPA animation studio, both of which influenced his deceptively simple, graphic drawing style. After graduating from college, he travelled around the world for a year, returning with ridiculous sideburns. A quick shave later, he returned to New York and became an animator and writer for TV, most notably for Sesame Street (where he won six Emmys for his writing). He then wrote for Nickelodeon and Cartoon Network. Mo's first foray into children's books was the innovative Don't Let the Pigeon Drive the Bus!, which appeared on many “best book” lists and won a prestigious American Prize, the Caldecott Honor, in 2004. He has encouraged thousands of children to yell “NOOOOOO!” in libraries. Mo hopes to devote an increasing percentage of his time writing and illustrating children's books.
As a child
Mo grew up during the 1970s, so he always looked kind of goofy. One time in his school's art class, Mo's teacher told him to stop drawing cartoons all the time. She said big, boring drawings of fruit in a bowl that made people's eyes glaze over were A-R-T, but funny cartoons that made people laugh weren't. She was wrong. Mo had great truble speling when he was a kidd.
As an adult
Mo once met a man in Egypt who had built a huge sand temple about his life (which mostly consisted of images of him constructing a huge sand temple about his life). He dreamt of creating a one-to-one scale model of the desert. Mo drove a motorcyle in New York for about five years without a single accident. Then he realized he was lucky not to have an accident, so he bought a used Volvo. If Mo had known how cool having a wife and daughter was, he would have got them sooner.
As an artist
At age eighteen, Mo moved temporarily to London to pursue his dream of becoming a stand-up comic. He quickly established himself and somehow managed to get a spot in the Edinburgh Fringe Festival before returning to America to become a film student. At New York University he discovered animation and quickly became entranced by the ability to make movies without having to beg a crew to help him. Here he discovered the work of Ronald Searle and the UPA animation studio, both of which influenced his deceptively simple, graphic drawing style. After graduating from college, he travelled around the world for a year, returning with ridiculous sideburns. A quick shave later, he returned to New York and became an animator and writer for TV, most notably for Sesame Street (where he won six Emmys for his writing). He then wrote for Nickelodeon and Cartoon Network. Mo's first foray into children's books was the innovative Don't Let the Pigeon Drive the Bus!, which appeared on many “best book” lists and won a prestigious American Prize, the Caldecott Honor, in 2004. He has encouraged thousands of children to yell “NOOOOOO!” in libraries. Mo hopes to devote an increasing percentage of his time writing and illustrating children's books.
規格
誠品貨碼 / 2682345684008
ISBN13 / 9781529509960
ISBN10 /
EAN貨碼 / 9781529509960
頁數 / 40
裝訂 / P:平裝
語言 / 3:英文
尺寸 / 23 x 0.4 x 23 cm
級別 / N:無
提供維修 / 無
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