Minimalism Designsource | 誠品線上

Minimalism Designsource

內容簡介

內容簡介 The term Minimalism has not always been used in a favorable sense, especially in architecture, and even today it may be the cause of some confusion and ambiguity. The problem comes from the word’s use in defining a creative current, school or trend when in fact it refers to an aesthetic. At the same time, this aesthetic is not chronologically well defined either and, moreover, interacts with different disciplines. This explains why we find minimalist buildings in periods very far apart from each other and in architects as different as Tadao Ando, Eduardo Souto de Moura, Jacques Herzog & Pierre de Meuron or Luis Barragán, among others. Minimalism DesignSource investigates the minimalism movement, covering the last years of the decade of the 1990s and the first years of the twenty-first century to inquires into the origins of the term minimalism and in how the minimalism phenomenon played out in other fields like art, painting, fashion, and sculpture has affected minimalism in architecture, define the result of the use of pure and simple lines, the reduction of language elements and, as far as architecture is concerned, the investigation of the treatment of space and of building possibilities.

各界推薦

各界推薦 極簡主義（Minimalism）發源自60年代紐約的一項藝術運動，重點在於強調理性、直線、幾何、對比等形式；這些極簡的藝術概念後來在時尚、文學、建築裝飾與音樂等方面都產生了相當程度的影響。本書《 Minimalism Designsource》涵蓋了二十世紀90年代的二十一世紀關於極簡主義（Minimalism）在設計方面的發展演變。同樣強調直線與空間，大量的留白與簡單的色彩構成的極簡風格，我們最為熟知的可能就是安藤中雄的作品，其他相關的建築師包括John Pawson、David Chipperfield、Shigeru Ban、Claudio Silvestrin、Satoshi Okada，本書厚達650頁，超過750張攝影作品，如果對於極簡主義有興趣的建築師或是設計師，本書可以說是相當值得收藏的工具書籍。

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