內容簡介
內容簡介 Edited by curator Masimilliano Gioni, this book focuses in particular on Koons’ art as seen in relation to contemporary American culture. With his aesthetics of plenitude and his pop-up dreams of social mobility and acceptance, throughout his career Koons has composed a “fantasy America […] custom-made from art and schmaltz and emotions” ―to use Warhol’s deion of his own interpretation of American culture. Through the inclusion of source materials, personal recollections and biographical narratives, the book reads each of Koons’ celebrated series through the prism of his biography and the ways in which his individual history intersects with that of his country and culture. Ranging from his upbringing in rural Pennsylvania to his fascination for popular culture and vernacular art, the publication composes an unconventional view of Jeff Koons and his work, retracing the personal influences and cultural histories that have shaped Koons’s unique formal vocabulary. Published to accompany the major exhibition in Doha in March 2021, the catalogue features an interview with Jeff Koons by the curator, and essays by the well-known art critic Dodie Kazanjian and the Qatari-American writer and artist Sophia Al Maria.
作者介紹
作者介紹 Dodie KazanjianDodie Kazanjian has covered the art world for Vogue since 1989. She is also the founder and director of Gallery Met, the nonprofit contemporary art space at the Metropolitan Opera. She is married to writer Calvin Tomkins and lives in New York City.Sophia Al MariaSophia Al-Maria is an artist, writer, and filmmaker. She studied comparative literature at the American University in Cairo, and aural and visual cultures at Goldsmiths, University of London. Her work has been exhibited at the Gwangju Biennale, the New Museum in New York, and the Architectural Association in London. Her writing has appeared in Harper's, Five Dials, Triple Canopy, and Bidoun.Massimiliano GioniMassimiliano Gioni is a curator and an art critic based in New York. In 2007, he was appointed curator of the exhibits at the New Museum, New York. He's been involved in a wide range of projects, from the Venice Biennale (2003) to the Berlin Bienniale (Of Mice and Men, 2006), from Manifesta 5 (San Sebastian, Spain, 2005) to the 8th Gwangju Biennial (South Korea, 2010).