WONG KAR-WAI | 誠品線上

WONG KAR-WAI

內容簡介

內容簡介 Wong Kar-Wai traces this immensely exciting director's perennial themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China.This book is the first in any language to cover all of Wong's work, from his first film, As Tears Go By, to his most recent, the still unreleased 2046. It also includes his best?known, highly honored films, Chungking Express, Happy Together, and above all, In the Mood for Love. Most importantly, Peter Brunette describes the ways in which Wong's supremely visual films attempt to create a new form of cinema by relying on stunning, suggestive visual images and audio tracks to tell their story, rather than on traditional notions of character, dialogue, and plot. The question of Wong Kar-wai's use of genre film techniques in art films is also explored in depth. Exploring Wong Kar-wai's groundbreaking use of sound and visual technique to create a new form of cinema

各界推薦

各界推薦 本書屬於伊利諾大學出版社〈當代電影導演〉系列，該系列以目前在世、值得英語世界觀眾更加關注的導演為對象，以輕簡的篇幅涵蓋該位導演完整作品，包括訪談、圖片、參考書目等篇章。包括：王家衛（Wong Kar-wai）、楊德昌（Edward Yang）、阿巴斯（Abbas Kiarostami）與克萊兒．丹妮絲（Claire Denis）等大師級導演。 本書封面是〈花樣年華〉的經典劇照，介紹王家衛導演，從他第一部在美國播映的電影〈花樣年華〉到最新作品〈2046〉，深入介紹王家衛電影的轉變、內涵， 並試圖詮釋王家衛本身認為他作品中最重要的特色「圖像的表達能力」。書中包括兩篇王家衛導演的訪談記錄，分別訪問於1995年和2000年，讀者也可以從中進一步了解王家衛的作品。

作者介紹

作者介紹 Peter Brunette was the Reynolds Professor of Film Studies at Wake Forest University. He wrote books on Roberto Rossellini and Michelangelo Antonioni and was the coauthor of Screen Play: Derrida and Film Theory. He was chief critic for indieWIRE.com and reviewed regularly for the British trade journal, Screen International.

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