The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution | 誠品線上

The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution

內容簡介

內容簡介 Winner of the 2021 Elliott P. Skinner Book Award "If you care about museums and the world, read this book"--New York Times "Urgent, lucid, and brilliantly enraged...a long-awaited treatise on justice."--New York Review of Books "A real game-changer."--The Economist "A bombshell."--Los Angeles Times The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation, and the decolonization of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the objects of empire we once took for granted. Walk into any western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date, and place of origin. They do not mention that the objects are all stolen. Few artifacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes--a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum, and countless private collections. The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation, and the decolonization of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the objects of empire we once took for granted.

作者介紹

作者介紹 Dan Hicks is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. His award-winning research focuses on decolonisation in art and culture, and academic disciplines, and on the role of cultural whiteness in ongoing histories of colonial violence and dispossession.

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