Telling Stories Wrong | 誠品線上

Telling Stories Wrong

內容簡介

內容簡介 爺爺，你故事講錯了啦！ 爺爺為小孫女講故事：「從前，有一位小女孩，叫作小黃帽。」「爺爺，不是啦，是小紅帽啦」，孫女更正說。「有一天，媽媽要小綠帽送馬鈴薯豆子給阿姨。」「不是，是小綠帽啦，帶的是裝有麵包的野餐籃，給奶奶的，不是給阿姨」。「路上，小紅帽遇到長頸鹿。」「不是啦，是大野狼。」「大野狼問小紅帽 6乘以8是多少？」「不是啦，是問你要去哪裡」…爺爺老是故意講錯，改變故事情節，孫女很努力地把歪掉的故事拉回來，互動古怪又逗趣，結局更是超乎想像。 作者為Gianni Rodari 義大利現代兒童文學之父，他認為故事不僅是創作者的創作行為，更是說故事與聽故事者間愛的流動。他體現對孩子的尊重，也發展多種遊戲，邀請孩子加入參與，故事中偶爾注入新元素，讓孩子想像，接續情節。結局開放、多元。本書插畫為《巴黎的獅子》《Child of Glass》Beatrice Alemagna，視Gianni Rodari是為精神之父。"Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood-" "Not yellow! It’s Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale-or his version, at least-to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it’s being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love. Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children’s literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."

作者介紹

作者介紹 Gianni RodariItalian author Gianni Rodari wrote many beloved children’s books and was awarded the prestigious Andersen Prize. But he was also an educator of paramount importance in Italy and an activist who understood the liberating power of the imagination. He is one of the twentieth century’s greatest authors for children, and Italy’s greatest. Influenced by French surrealism and linguistics, Rodari stressed the importance of poetic language, metaphor, made-up language, and play. At a time when schooling was all about factual knowledge, Rodari wrote The Grammar of Fantasy, a radically imaginative book about storytelling and play. He was a forerunner of writing techniques such as the ""fantastic binomial"" and the utopian, world engendering ""what if...."" The relevance of Rodari’s works today lies in his poetics of imagination, his humanist yet challenging approach to reality, and his themes, such as war and peace, immigration, injustice, inequality, and liberty. Forty years after his death, Rodari’s writing is as powerful and innovative as ever. He died in Rome in 1980.Beatrice Alemagna""To draw is to tell. Everyone who feels emotion has something to tell. Emotions keep on changing, growing, as children do. My drawings and stories change with them."" -Beatrice Alemagna Beatrice Alemagna was born in Bologna, Italy in 1973. She has written and illustrated dozens of children’s books, which have received numerous awards all over the world and have been translated into 14 languages. She has also had solo exhibitions in France, Italy, Portugal, Germany, Sweden, and Japan. Alemagna’s The Wonderful Fluffy Little Squishy and Child of Glass are also published by Enchanted Lion.

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