內容簡介
內容簡介 Portuguese virtuoso Artur Pizarro makes a welcome return to the Romantic Piano Concerto series with the outpouringsof two brilliant pianist-composers. Their names may not be familiar to listeners today. The Brazilian Henrique Oswaldand the Portuguese Alfredo Napoleão were born in the same year, less than three months apart, when Schumann,Brahms and Liszt were alive and Chopin recently deceased. Both were of mixed European heritage: Oswald with aSwiss-German father and Italian mother, Napoleão with an Italian father and Portuguese mother. Both were childprodigies who became widely travelled concert pianists, pedagogues and composers. In 1868 Oswald gave his ‘farewellrecital’ and left Rio de Janeiro to study in Europe; Napoleão went to Brazil.Oswald’s Piano Concerto in G minor, Op 10, dates from about 1886, the year he met Liszt. Although influences of Faurécan be detected in the second theme, the overall character of the first movement owes more to the late Romantic Germanstyle. The orchestration is rich and full, but the Tchaikovskian athleticism and virtuosity of the piano-writing keep thesoloist to the fore.Napoleão’s Piano Concerto No 2 in E flat minor, Op 31, is undated but was probably composed around the same time asOswald’s Piano Concerto. Although Napoleão performed the concerto in a solo piano version, the first performance withorchestra had to wait until 12 February 1941. This was given by Evaristo de Campos Coelho (1903–1988)—with whomArtur Pizarro, the pianist on the present recording, studied as a young child. He played the work numerous times, andperformed it for Portuguese radio. Dinorah Leitão (who was Ivo Cruz’s daughter in law, and also a student of CamposCoelho) then played it, and Artur Pizarro is only the third pianist to champion this work.
